Dwight Yoakam

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Dwight Yoakam

Few entertainers have attained the iconic status of Dwight Yoakam. Perhaps that is because so few have consistently and repeatedly met the high standard of excellence delivered by the Kentucky native no matter what his endeavor. His name immediately conjures up compelling, provocative images: A pale cowboy hat with the brim pulled low; poured-on blue jeans; intricate, catchy melodies paired with poignant, brilliant lyrics that mesmerize with their indelible imprint. Then there’s Yoakam the actor, who seemingly melts into his roles, impressively standing toe-to-toe with some of the world’s top thespians: Jodie Foster, Tommy Lee Jones, Forest Whitaker, Nicholas Cage. Add to that Yoakam the entrepreneur and you have a singular talent without peer.

Yoakam’s latest Warner Bros. album, 3 Pears, exemplifies his ability to incorporate multiple, competing influences into a piece of cohesive art. It balances his country core with a fiercely independent embrace of rock, Americana, pop and soul. It blends Yoakam’s respect for his musical predecessors with the collaborative assistance of modern singer/songwriter Beck, who co-produced two tracks, and current rocker Kid Rock, who co-wrote the hooky opener, “Take Hold Of My Hand.” But most importantly, 3 Pears builds on his trademark edginess with a notable, growing positivity.

“The music just kind of dropped in, in that way,” Yoakam reflects. “Music is a bit of a mystery. Like all emotions are. And I think maybe it was something I needed to express and to share with the world at large, something positive when all of us are kind of carrying around this collective, emotional weight.”

Much has been made that the Kentucky-born, Ohio-raised Yoakam was too country for Nashville when he first sought out his musical fortune in the mid-80s, but the truth is his music has always been too unique, too ruggedly individualistic to fit neatly into any one box. Like the icons he so admires --Elvis, Merle, Buck-- Yoakam is one of a kind. He has taken his influences and filtered them into his own potent blend of country and rock that honors his musical predecessors and yet creates something beautifully new. As Vanity Fair declared, “Yoakam strides the divide between rock’s lust and country’s lament.”

Yoakam’s relentless search for truth has firmly connected him with a large, loyal following. A long-time Los Angeleno, Yoakam has sold more than 25 million albums worldwide, placing him in an elite cadre of global superstars. Yet the sales have never come at the expense of his musical integrity. Whether singing about the twisted wreckage of romance, the broken dreams of this hard life, or the burgeoning optimism that marks 3 Pears, Yoakam brings a knowing, glorious edge to his delivery and stands, in a world of artifice and flash, as a beacon of authenticity.

His debut album, Guitars, Cadillacs, Etc., Etc., set the tone as critics and fans alike responded to a new voice that arrived fully formed with no contemporary rival. With those 10 songs, full of twang and truth, Yoakam led the New Traditionalist movement, though he was never confined by that role. The New York Times’ Peter Watrous, in fact, confirmed Yoakam’s status beyond his obvious importance to country: “He fits into a general cultural reinvestigation of things American, including jazz and grassroots rock-and-roll.” From the start, it was clear this jaded, often inscrutable troubadour could put a voice to our thoughts, expressing them better than we ever could.

He has 12 gold albums and nine platinum or multi-platinum albums, including the triple-platinum “This Time”. Five of those albums have topped Billboard’s Country Albums chart with another 14 landing in the Top 10. More than 30 singles have charted, with 22 going Top 20, including the incomparable hits “Honky Tonk Man,” “Please Please Baby,” “Little Ways,” “I Sang Dixie,” “It Only Hurts When I Cry,” “Fast as You” and “Thousand Miles from Nowhere.” He’s won two Grammys and earned a staggering 21 nominations.

As stellar as his recordings are, Yoakam’s live performances are transcendent. Upon his appearance at the Kentucky State Fair in 2006, the Louisville Courier Journal’s Marty Rosen declared that “in his best moments, Dwight Yoakam ranks with the scant handful of country singers (or, more accurately, singers in any genre, from opera to blues) who can legitimately be called geniuses.”

The potency of his performances makes him a much in-demand guest on the television circuit. So much so that he holds the record for the most appearances by any musical artist on the top-ranked The Tonight Show with Jay Leno.
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